The first episode of the series is a perfect place to start exploring the world of Autonomies since many of the characters and themes are present. Here are a few insights and explanations for things learners might have missed or want to know more about.
The opening scene at the airport sets the stage for the conflict that will drive the plot—a family finds out there is a departure prohibition order for their daughter, and they cannot leave the country. The reason for this will be revealed during the episode.
The opener of the series reads: “Things turned out differently. A civil war tore the State of Israel in two. A secular state with Tel Aviv as its capital, and a religious autonomy with Jerusalem as its capital.” We later find out that the split happened 30 years earlier.
The border between the two states contains a wall and a gate. This is not a wall that was built on a film set, but rather the actual separation wall between Israel and the West Bank. The sign reads, “Welcome to the Jewish Autonomy in the Holy Land” in English, Hebrew and Yiddish. The flag and the emblem of the Autonomy include a Keter Torah (Torah crown) and the outline of the old city wall, which express clearly that the Autonomy is Jewish and Orthodox.
The guards check for contraband items, including adult movies, popular music tapes, pork meat, classic and secular literature, and even children’s books such as Mitz Petel (Raspberry Juice), a popular book for Israeli kids—all of which are prohibited by the Autonomy.
In the series, Jerusalem is portrayed as an extension of the Haredi neighborhoods. The Knesset is boarded up and has a large bulletin board plastered with Pashkevils at the entrance. Pashkevils are black and white posters typically placed in Haredi Neighborhood. They might forbid the use of cell phones or the internet, demand that visitors be clothed in modest garb, announce deaths or publicize an upcoming lecture by a great sage.
The Rebbe’s address to his crowd (at 32:48) is a call to arms: “Am Yisrael [the people of Israel] will not give up on any of his sons or daughters. We will not let the secular state take our children to distraction. (…)We will not let the Zionists steal our children.” This statement is at the crux of the division the Autonomy makes between Jews and Zionists, which is to assume they cannot be both.
At the center of the plot is Broide, our bridge between the two worlds. He is an ultra-Orthodox “macher” (literally: a person who gets things done), a complex character who travels between the two states in the guise of transporting bodies of Jews that have died in the secular State into the Autonomy if they wish to have a religious burial. All the while using his van to smuggle illicit materials banned by the Autonomy, hidden in the coffin.