Sending New Year’s cards is one among many customs associated with the Rosh Hashanah holiday. Whether they are old or new or somewhere in between, the wishes expressed in them, the visual images and the style in which they are depicted, tell a story of hopes, aspirations, and rejuvenation, and capture the spirit of different periods and generations in Israel. These cards, many of which were designed by well-known artists, can be “read” in many ways.
AS YOU LOOK AT THESE CARDS, CONSIDER:
How do the cards reflect the sentiment of rejuvenation and the hope for a “Shana Tova,” a good year ahead?
What stories about Israel do the cards tell?
What images would you put on a Rosh Hashanah card this year?
1930s – PIONEERING AND FARMING IN ISRAEL
These Rosh Hashanah greeting cards represent the physical labor of the land; Shepherding imagery acts as a symbol connecting a Biblical past with a historic right to the land and a pioneering spirit of redeeming it.
The following cards circulated in the years surrounding the founding of the State of Israel. They use strong Zionist imagery and symbolism.
Content from Tapuz.co.il and The Givat Haviva Archives
CIRCA 1960s – FROM COLLECTIVE TO INDIVIDUAL: THE INTEGRATION OF PHOTOGRAPHY
As Israel settled into statehood, it moved from a collective identity toward a more individualistic one that is reflected in these cards that begin to feature personal portraits. Images of family households become integrated into the design of holiday cards, as well as the usage of photography. (The first card in the sequence is the Dizengoff fountain in Tel Aviv).
Throughout time, Rosh Hashanah cards have showcased images and phrases promoting peace in Israel. Here are a few from artist Ruth Schloss. Schloss’ paintings feature the artist’s active reaction to the reality surrounding her, which led her to embrace a daring social-political stance, resolutely standing against social injustice and for the quest for peace.
“A good year, a year of peace” is the greeting on this 1959 card drawn by Schloss.
The card from 1963 reads: “Let 5723 be a year of disarmament and stable peace all over the world and in our region. Shana Tova, Sh’nat Shalom (a year of peace).”
Ruth Schloss (1922-2013) was born in Germany and moved to Palestine with her family in 1937 when she was 15 years old. She lived in the agricultural community of Kfar Shmaryahu, in the Sharon area. Schloss studied graphic design at the Bezalel Academy of Art and Design in Jerusalem. She was an active participant in the burgeoning art scene in Israel and helped fashion the dominant Israeli illustration style of the first decades of the state.
This site uses cookies to provide you with a better experience and help us understand how our site is being used. By continuing to use this website, you consent to the use of cookies.ACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website..